/page/2

(Source: )

17272dorsetave:

Download scripts of award contenders:

“Anonymous” by John Orloff (Sony)
“The Artist” by Michel Hazanavicius (The Weinstein Company)
“Beginners” by Mike Mills (Focus Features)
“Bridesmaids” by Annie Mumolo & Kristen Wiig (Universal)
“Cars 2” by Ben Queen; Story by John Lasseter, Brad Lewis and Dan Fogelman (Disney)
“Coriolanus” by John Logan, from the play by William Shakespeare (The Weinstein Company)
“The Debt” by Matthew Vaughn & Jane Goldman and Peter Straughan (Focus Features)
“The Descendants” by Alexander Payne and Nat Faxon & Jim Rash, based on the novel by Kaui Hart Hemmings (Fox Searchlight)
“The Girl With the Dragon Tattoo” by Steven Zaillian, based on the novel by Stieg Larsson (Sony)
“Hanna” by Seth Lochhead and David Farr; Story by Seth Lochhead (Focus Features)
“The Help” by Tate Taylor, based on the novel by Kathryn Stockett (Dreamworks)
“The Ides of March” by George Clooney & Grant Heslov and Beau Williman (Sony)
“The Iron Lady” by Abi Morgan (The Weinstein Company)
“Jane Eyre” by Moira Buffini, based on the novel by Charlotte Bronte (Focus Features)
“Machine Gun Preacher” by Jason Keller (Relativity Media)
“Margaret” by Kenneth Lonergan (Fox Searchlight)
“Margin Call” by J.C. Chandor (Rope of silicon website)
“Martha Marcy May Marlene” by Sean Durkin (Fox Searchlight)
“Moneyball” by Steven Zaillian and Aaron Sorkin; Story by Stan Chervin, based on the book by Michael Lewis (Sony)
“My Week With Marilyn” by Adrian Hodges, from the book by Colin Clark (The Weinstein Company)
“Pariah” by Dee Rees (Focus Features)
“Shame” by Steve McQueen and Abi Morgan (Fox Searchlight)
“Tinker, Tailor, Soldier, Spy” by Bridget O’Cconnor & Peter Straughan, based on the novel by John le Carre (Focus Features)
“War Horse” by Lee Hall and Richard Curtis, based on the novel by Michael Morpurgo (Dreamworks)
“Warrior” by Gavin O’Connor and Anthony Tambakis & Cliff Dorfman (Lionsgate)
“Win Win” by Tom McCarthy; Story by Tom McCarthy & Joe Tiboni (Fox Searchlight)

17272dorsetave:

Download scripts of award contenders:

“Anonymous” by John Orloff (Sony)

“The Artist” by Michel Hazanavicius (The Weinstein Company)

“Beginners” by Mike Mills (Focus Features)

“Bridesmaids” by Annie Mumolo & Kristen Wiig (Universal)

“Cars 2” by Ben Queen; Story by John Lasseter, Brad Lewis and Dan Fogelman (Disney)

“Coriolanus” by John Logan, from the play by William Shakespeare (The Weinstein Company)

“The Debt” by Matthew Vaughn & Jane Goldman and Peter Straughan (Focus Features)

“The Descendants” by Alexander Payne and Nat Faxon & Jim Rash, based on the novel by Kaui Hart Hemmings (Fox Searchlight)

“The Girl With the Dragon Tattoo” by Steven Zaillian, based on the novel by Stieg Larsson (Sony)

“Hanna” by Seth Lochhead and David Farr; Story by Seth Lochhead (Focus Features)

“The Help” by Tate Taylor, based on the novel by Kathryn Stockett (Dreamworks)

“The Ides of March” by George Clooney & Grant Heslov and Beau Williman (Sony)

“The Iron Lady” by Abi Morgan (The Weinstein Company)

“Jane Eyre” by Moira Buffini, based on the novel by Charlotte Bronte (Focus Features)

“Machine Gun Preacher” by Jason Keller (Relativity Media)

“Margaret” by Kenneth Lonergan (Fox Searchlight)

“Margin Call” by J.C. Chandor (Rope of silicon website)

“Martha Marcy May Marlene” by Sean Durkin (Fox Searchlight)

“Moneyball” by Steven Zaillian and Aaron Sorkin; Story by Stan Chervin, based on the book by Michael Lewis (Sony)

“My Week With Marilyn” by Adrian Hodges, from the book by Colin Clark (The Weinstein Company)

“Pariah” by Dee Rees (Focus Features)

“Shame” by Steve McQueen and Abi Morgan (Fox Searchlight)

“Tinker, Tailor, Soldier, Spy” by Bridget O’Cconnor & Peter Straughan, based on the novel by John le Carre (Focus Features)

“War Horse” by Lee Hall and Richard Curtis, based on the novel by Michael Morpurgo (Dreamworks)

“Warrior” by Gavin O’Connor and Anthony Tambakis & Cliff Dorfman (Lionsgate)

“Win Win” by Tom McCarthy; Story by Tom McCarthy & Joe Tiboni (Fox Searchlight)

(via filmprojections)

lynxolita:

Woody Allen Smirnoff Ads, 1966

(via fuckyeahdirectors)

fuckyeahdirectors:

2012 Best Director Oscar Nominations:

Woody Allen, Midnight in Paris

Michel Hazanavicius, The Artist

Terrence Malick, Tree of Life

Alexander Payne, The Descendants

Martin Scorsese, Hugo

"2011's Better-Than List"- Armond White- CityArts

ahouseoflies:

It’s not really a new year until we get White’s batshit opinions about the previous year. Like this:
Adam Sandler’s affectionate, very broad ethnic satire defies Alexander Payne’s smug denial of America’s ethnic history. Humility vs. Sanctimony.”

Or this:
“David Gordon Green indulges his love of fiction and adolescence while college dropout Woody Allen name drops and disrespects his literary betters. Humor vs. Hoax.” 

Really, the movie actually ended up being better than the book. Fincher didn’t disappoint. Oh, and…. 
Fincher’s The Girl with the Dragon Tattoo > Oplev’s The Girl with the Dragon Tattoo

Really, the movie actually ended up being better than the book. Fincher didn’t disappoint. Oh, and…. 

Fincher’s The Girl with the Dragon Tattoo > Oplev’s The Girl with the Dragon Tattoo

rollingstone:

Jay-Z and Kanye West certainly stuck to the cue from the Blades of Glory sample that kicks off their song “Ni**as in Paris”: “We’re gonna skate to one song, and one song only.” Rolling Stone’s Jeff Rosenthal crunches the numbers on the smash hit, which has gotten more than its fair share of play – by its own creators. On average per show, “Ni**as in Paris” was played 4.94 times, and in Vancouver, it was played 11 times in one night, topping the Los Angeles show the night before of 10 plays.
Other stats include:
168: Total number of times “Ni**as in Paris” played in concert.
28: Total number of minutes of Blades of Glory dialogue, when played 168 times.
298.6: Ticketholders per “CRAY.”
$3.50: Cost of a Filet-o-Fish at McDonald’s.
$3,305.00: Secondary-market value for a floor seat to Watch The Throne’s opening night in Atlanta (10/28).
944: Filet-o-Fish’s that could buy.
For the full breakdown, visitRollingStone.com.
—Meredith Olson

rollingstone:

Jay-Z and Kanye West certainly stuck to the cue from the Blades of Glory sample that kicks off their song “Ni**as in Paris”: “We’re gonna skate to one song, and one song only.” Rolling Stone’s Jeff Rosenthal crunches the numbers on the smash hit, which has gotten more than its fair share of play – by its own creators. On average per show, “Ni**as in Paris” was played 4.94 times, and in Vancouver, it was played 11 times in one night, topping the Los Angeles show the night before of 10 plays.

Other stats include:

168: Total number of times “Ni**as in Paris” played in concert.

28: Total number of minutes of Blades of Glory dialogue, when played 168 times.

298.6: Ticketholders per “CRAY.”

$3.50: Cost of a Filet-o-Fish at McDonald’s.

$3,305.00: Secondary-market value for a floor seat to Watch The Throne’s opening night in Atlanta (10/28).

944: Filet-o-Fish’s that could buy.

For the full breakdown, visitRollingStone.com.

—Meredith Olson

Someone bring me to 1920’s Paris. Now.

Someone bring me to 1920’s Paris. Now.

(Source: )

17272dorsetave:

Download scripts of award contenders:

“Anonymous” by John Orloff (Sony)
“The Artist” by Michel Hazanavicius (The Weinstein Company)
“Beginners” by Mike Mills (Focus Features)
“Bridesmaids” by Annie Mumolo & Kristen Wiig (Universal)
“Cars 2” by Ben Queen; Story by John Lasseter, Brad Lewis and Dan Fogelman (Disney)
“Coriolanus” by John Logan, from the play by William Shakespeare (The Weinstein Company)
“The Debt” by Matthew Vaughn & Jane Goldman and Peter Straughan (Focus Features)
“The Descendants” by Alexander Payne and Nat Faxon & Jim Rash, based on the novel by Kaui Hart Hemmings (Fox Searchlight)
“The Girl With the Dragon Tattoo” by Steven Zaillian, based on the novel by Stieg Larsson (Sony)
“Hanna” by Seth Lochhead and David Farr; Story by Seth Lochhead (Focus Features)
“The Help” by Tate Taylor, based on the novel by Kathryn Stockett (Dreamworks)
“The Ides of March” by George Clooney & Grant Heslov and Beau Williman (Sony)
“The Iron Lady” by Abi Morgan (The Weinstein Company)
“Jane Eyre” by Moira Buffini, based on the novel by Charlotte Bronte (Focus Features)
“Machine Gun Preacher” by Jason Keller (Relativity Media)
“Margaret” by Kenneth Lonergan (Fox Searchlight)
“Margin Call” by J.C. Chandor (Rope of silicon website)
“Martha Marcy May Marlene” by Sean Durkin (Fox Searchlight)
“Moneyball” by Steven Zaillian and Aaron Sorkin; Story by Stan Chervin, based on the book by Michael Lewis (Sony)
“My Week With Marilyn” by Adrian Hodges, from the book by Colin Clark (The Weinstein Company)
“Pariah” by Dee Rees (Focus Features)
“Shame” by Steve McQueen and Abi Morgan (Fox Searchlight)
“Tinker, Tailor, Soldier, Spy” by Bridget O’Cconnor & Peter Straughan, based on the novel by John le Carre (Focus Features)
“War Horse” by Lee Hall and Richard Curtis, based on the novel by Michael Morpurgo (Dreamworks)
“Warrior” by Gavin O’Connor and Anthony Tambakis & Cliff Dorfman (Lionsgate)
“Win Win” by Tom McCarthy; Story by Tom McCarthy & Joe Tiboni (Fox Searchlight)

17272dorsetave:

Download scripts of award contenders:

“Anonymous” by John Orloff (Sony)

“The Artist” by Michel Hazanavicius (The Weinstein Company)

“Beginners” by Mike Mills (Focus Features)

“Bridesmaids” by Annie Mumolo & Kristen Wiig (Universal)

“Cars 2” by Ben Queen; Story by John Lasseter, Brad Lewis and Dan Fogelman (Disney)

“Coriolanus” by John Logan, from the play by William Shakespeare (The Weinstein Company)

“The Debt” by Matthew Vaughn & Jane Goldman and Peter Straughan (Focus Features)

“The Descendants” by Alexander Payne and Nat Faxon & Jim Rash, based on the novel by Kaui Hart Hemmings (Fox Searchlight)

“The Girl With the Dragon Tattoo” by Steven Zaillian, based on the novel by Stieg Larsson (Sony)

“Hanna” by Seth Lochhead and David Farr; Story by Seth Lochhead (Focus Features)

“The Help” by Tate Taylor, based on the novel by Kathryn Stockett (Dreamworks)

“The Ides of March” by George Clooney & Grant Heslov and Beau Williman (Sony)

“The Iron Lady” by Abi Morgan (The Weinstein Company)

“Jane Eyre” by Moira Buffini, based on the novel by Charlotte Bronte (Focus Features)

“Machine Gun Preacher” by Jason Keller (Relativity Media)

“Margaret” by Kenneth Lonergan (Fox Searchlight)

“Margin Call” by J.C. Chandor (Rope of silicon website)

“Martha Marcy May Marlene” by Sean Durkin (Fox Searchlight)

“Moneyball” by Steven Zaillian and Aaron Sorkin; Story by Stan Chervin, based on the book by Michael Lewis (Sony)

“My Week With Marilyn” by Adrian Hodges, from the book by Colin Clark (The Weinstein Company)

“Pariah” by Dee Rees (Focus Features)

“Shame” by Steve McQueen and Abi Morgan (Fox Searchlight)

“Tinker, Tailor, Soldier, Spy” by Bridget O’Cconnor & Peter Straughan, based on the novel by John le Carre (Focus Features)

“War Horse” by Lee Hall and Richard Curtis, based on the novel by Michael Morpurgo (Dreamworks)

“Warrior” by Gavin O’Connor and Anthony Tambakis & Cliff Dorfman (Lionsgate)

“Win Win” by Tom McCarthy; Story by Tom McCarthy & Joe Tiboni (Fox Searchlight)

(via filmprojections)

(Source: yougotolsuwhen)

lynxolita:

Woody Allen Smirnoff Ads, 1966

(via fuckyeahdirectors)

(Source: yougotolsuwhen)

fuckyeahdirectors:

2012 Best Director Oscar Nominations:

Woody Allen, Midnight in Paris

Michel Hazanavicius, The Artist

Terrence Malick, Tree of Life

Alexander Payne, The Descendants

Martin Scorsese, Hugo

film-schooled:

Patton Oswalt is on fire this morning

(via filmprojections)

(Source: witswg, via juliasegal)

"2011's Better-Than List"- Armond White- CityArts

ahouseoflies:

It’s not really a new year until we get White’s batshit opinions about the previous year. Like this:
Adam Sandler’s affectionate, very broad ethnic satire defies Alexander Payne’s smug denial of America’s ethnic history. Humility vs. Sanctimony.”

Or this:
“David Gordon Green indulges his love of fiction and adolescence while college dropout Woody Allen name drops and disrespects his literary betters. Humor vs. Hoax.” 

(Source: yougotolsuwhen)

Really, the movie actually ended up being better than the book. Fincher didn’t disappoint. Oh, and…. 
Fincher’s The Girl with the Dragon Tattoo > Oplev’s The Girl with the Dragon Tattoo

Really, the movie actually ended up being better than the book. Fincher didn’t disappoint. Oh, and…. 

Fincher’s The Girl with the Dragon Tattoo > Oplev’s The Girl with the Dragon Tattoo

rollingstone:

Jay-Z and Kanye West certainly stuck to the cue from the Blades of Glory sample that kicks off their song “Ni**as in Paris”: “We’re gonna skate to one song, and one song only.” Rolling Stone’s Jeff Rosenthal crunches the numbers on the smash hit, which has gotten more than its fair share of play – by its own creators. On average per show, “Ni**as in Paris” was played 4.94 times, and in Vancouver, it was played 11 times in one night, topping the Los Angeles show the night before of 10 plays.
Other stats include:
168: Total number of times “Ni**as in Paris” played in concert.
28: Total number of minutes of Blades of Glory dialogue, when played 168 times.
298.6: Ticketholders per “CRAY.”
$3.50: Cost of a Filet-o-Fish at McDonald’s.
$3,305.00: Secondary-market value for a floor seat to Watch The Throne’s opening night in Atlanta (10/28).
944: Filet-o-Fish’s that could buy.
For the full breakdown, visitRollingStone.com.
—Meredith Olson

rollingstone:

Jay-Z and Kanye West certainly stuck to the cue from the Blades of Glory sample that kicks off their song “Ni**as in Paris”: “We’re gonna skate to one song, and one song only.” Rolling Stone’s Jeff Rosenthal crunches the numbers on the smash hit, which has gotten more than its fair share of play – by its own creators. On average per show, “Ni**as in Paris” was played 4.94 times, and in Vancouver, it was played 11 times in one night, topping the Los Angeles show the night before of 10 plays.

Other stats include:

168: Total number of times “Ni**as in Paris” played in concert.

28: Total number of minutes of Blades of Glory dialogue, when played 168 times.

298.6: Ticketholders per “CRAY.”

$3.50: Cost of a Filet-o-Fish at McDonald’s.

$3,305.00: Secondary-market value for a floor seat to Watch The Throne’s opening night in Atlanta (10/28).

944: Filet-o-Fish’s that could buy.

For the full breakdown, visitRollingStone.com.

—Meredith Olson

Someone bring me to 1920’s Paris. Now.

Someone bring me to 1920’s Paris. Now.

About:

Film. Music. LSU. Partying. It's what I live for.

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